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IVÁN CANDEO - The idiot
Technique: Graphite and pastel on Fabriano paper. Graphite and pastel on Fabriano paper
Artist Biography: (Caracas, 1983) Currently lives and works in Barcelona, Spain. Since 2004 he has been part of an independent studio group made up of artists of different generations. In 2008 he obtained the title of Professor, with a specialization in Plastic Arts at the Universidad Pedagógica Experimental Libertador, Instituto Pedagógico de Caracas. He studied for a Master's Degree in History and Theory of the Plastic Arts at the Universidad Central de Venezuela and for a Diploma in Contemporary History at the Fundación Rómulo Betancourt. He has also studied complementary studies of "experimental cinema" at the Aula Xcèntric of the CCCB. In 2018 she received the Scholarship to study at the Laboratorio de Prácticas Audiovisuales Contemporáneas, Master LAV, Madrid. In addition, she participated in the artistic residency Lugar a Dudas, directed by the artist Óscar Muñoz, in Cali, Colombia. Among his solo exhibitions: Hay un Goya en la sopa, Galería Alarcón Criado, Sevilla, Spain (2022); Sin Acto, Galería Carmen Araujo Arte, Caracas, Venezuela (2018); Correspondencias del Ultramar: Núria Güell e Iván Candeo, Sala Mendoza, Caracas, Venezuela (2017); Corte En Movimiento. Office #1, Caracas, Venezuela (2015) and Identity and Rupture, Casa Sin Fin, Madrid, Spain (2014). Candeo focuses and confronts the relationship between image, movement and history, managing to identify a series of contradictions and paradoxes. He does this as an intermediary who "passes" the images through various aesthetic devices of the gaze. He has participated in group exhibitions in various spaces in Latin America, the United States, Canada and Europe. Among them: Unresolved Circumstances: Video Art from Latin America, MOLAA - Museum of Latin American Art, California, 2010; When a Painting Moves... Something Must Be Rotten! Sternesen Museum, Oslo, Norway, 2011; 8a Bienal do Mercosul: ensaios de geopoética, Brazil, 2011; Moving image / Alteration, Gaîté Lyrique, Paris, 2012; Colonia apócrifa. Imágenes de la colonialidad en España, MUSAC, 2014; Ibi Et Nunc: paradojas democráticas LOOP, Barcelona, 2016; Propuesta para un archivo de vídeo, HAMACA - Museo Reina Sofia, Madrid, 2018; El revés de la trama - 45 salón nacional de artistas, Bogotá, Colombia, 2019; VHS (Video Home System) Museo de Arte Carrillo Gil, México D.F., 2020; Entre nosotros y los otros: JUNTOS APARTE. MUNTREF Centro de Arte Contemporáneo and Museo de la Inmigración - Sede Hotel de Inmigrantes. Buenos Aires, Argentina, 2022. Among others.
This work includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authentication value of the work of art. The certificate may be signed by the author of the work, by the representing gallery or by the printmaker who collaborated with the artist on the work.
The information usually included in a certificate of authenticity is: name of the artist, details of the work (title, date, support, dimensions) and an image of the work.
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- Avoid sudden changes in temperature. It is recommended to keep the paintings in areas with an ambient temperature of between 18-20º and 50% relative humidity.
- If the work is to be permanently illuminated, we recommend the use of cold light bulbs. Use a soft feather duster for periodic cleaning of the work. Never use household cleaner.
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