Print: 11 outstanding artists

Erik Cruikshank takes the landscape as an initial starting point, his paintings are not of literal presentation, but focus on the emotive qualities of place. Using an objective palette linked to the Scottish landscape, colour acts as a vehicle to reveal the picture planes that underlie the points of reference. With structure, design and colour harmony based on the everyday, the viewer is encouraged to re-approach notions of their surroundings, where the familiar is opened up and filled with possibilities. With works that leave the territory of art and traditional values, through process and presentation, a dialogue opens up between the past and the present, the historical and the contemporary.

Buy

 

Victor Lope Contemporary Art

Daniel Domingo Schweitzer defines line and plane as elements of a code that investigates and generates different proposals that share a concern for surfaces, shapes, voids, materials and light. A particular language through form where texture, matter and body contain their own narratives that dialogue with each other to redefine themselves in the viewer's perception. As the artist himself points out: "in my works there is no representation. They are direct proposals that appeal to the spectator's experience through the specificity of plastic languages.

Shiras Gallery

The Dutch artist Nanon Morsink calls herself a multidisciplinary artist since she has always worked with different materials and techniques. However, her latest works have focused on the use of textiles. From various salvaged materials, the artist builds three-dimensional works linked to textile art.

Buy

 

Isolina Arubulu

 

Liquid Space + The Great

Ira Lombardia is an artist and researcher, working in different media such as photography, video, graphic design and sculpture. With his projects he questions discourses, dynamics and rhetorics that have been assumed in the field of contemporary art, image or philosophy. Her production, both theoretical and practical, focuses on the transformation of the postmodern paradigm in relation to digital visual culture.
This line of research interests has led her to generate proposals that challenge traditional forms of production, exhibition and documentation. 

David Martínez Suárez considers that there are forms that grow like a plant in a pot, they need a certain amount of attention, their roots hide and adapt to the container, absorbing nutrients, while another part moves towards the light. I try to develop my pieces as grafts, like a craft technique in which a piece of tissue from one plant is joined to another already established one so that both grow as a single organism. Disparate materialities that approach each other, modifying the distances as in a game of encounter and seduction. 

 

ATM

 

Aurora Vigil-Escalera