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Luis González Palma - S/T
Technique: Printing on Canvas gold leaf and Judea bitumen
Artist Biography: Born in Guatemala in 1957. From the beginning, my work has been a reflection on the gaze. How are the eyes that stare at us constructed in our internal experience? How are the shadows, the shines and all the geography implicit in each photograph interpreted and elaborated in our interior? If our way of seeing is socially and culturally constructed, we can conclude that every gaze is political and that every artistic production is subject to this judgment. The gaze as power. From there, I can feel that the work of art is a possibility to evidence this, to question our way of seeing, to interrogate the history that has produced all these graduations of the gaze and therefore, our ways of reacting to the world. In my artistic process I have tried to create images that invite to be examined through what I call "emotional contemplation", giving through the beauty of them the sense of their form. Over the years I have constructed scenarios and modified certain faces to create images that allow other perceptions of the world, other ways of understanding it, and of modifying it internally.
This work includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authentication value of the work of art. The certificate may be signed by the author of the work, by the representing gallery or by the printmaker who collaborated with the artist on the work.
The information usually included in a certificate of authenticity is: name of the artist, details of the work (title, date, support, dimensions) and an image of the work.
Recommendations for the proper conservation of works of art:
- Keep works of art away from direct sunlight and any other source of heat (heating, air conditioning, etc.). Avoid hanging works of art near smoky and polluted areas (such as fireplaces or kitchens). We advise you to protect the paintings with a glass frame.
- Avoid sudden changes in temperature. It is recommended to keep the paintings in areas with an ambient temperature of between 18-20º and 50% relative humidity.
- If the work is to be permanently illuminated, we recommend the use of cold light bulbs. Use a soft feather duster for periodic cleaning of the work. Never use household cleaner.
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