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Eduardo Martín del Pozo - 2021_08
Biography of the Artist: Eduardo Martín del Pozo (Madrid,1974) has a degree in Fine Arts from the Complutense University of Madrid and Vjing Technologies applied to contemporary creation from the University of Granada. Martín del Pozo has had numerous exhibitions in Spain, France, Germany, Holland, Italy and the United States, both in institutional and private art centers. His work can be found in both public and private collections in Spain, France, Italy, Belgium, Mexico, the United States and Saudi Arabia. He has been awarded First Prize in the Salou Award for Pictorial Research, First Prize in the XVI Plastic Arts Competition of COCEF - College of Spain in Paris, Special Mention in the XLIV City of Alcalá Award, Honorable Mention in the IV Torres García / Mataró Award, and finalist in many competitions, such as the "BMW" Award, the Tajo Biennial, the VI Mostra Unión Fenosa, Angel Awards, UNICAJA Biennial, Focus-Abengoa Award or the Royal Academy of San Carlos Award in Valencia, among others. He has obtained, on the other hand, scholarships and grants from important institutions, both in Spain and France.
2.310,00 € + VAT included in Special Regime. Auction price: 1848 € + VAT included in Special Regime. 10% may be applied if sold to a private individual. Balia Donation: 25%. Percentage RedCollector 10% Madrid, Spain, 1974. Lives and works in Madrid, Spain. Classical genre painting. Still life, landscape or flower painting. Drawing lines of pictorial relationships and relationships with other artistic disciplines and conform, then, a certain genealogy. Where does it go? Where does it come from? And then I forget them all. 2. The play between matter and surface, the very act of painting, desire and time. Creation and destruction, putting and taking away, affirm and deny, black and white, countless dichotomies and fights of opposites, the struggle and pleasure and what is lost in this wandering and what remains: accidents, accidents, accidents, accidents, accidents. what is lost and what remains: accidents, drips, errors, traces, edges, interstices, remains... the magic of the matter and the gesture registered in the matter and the gesture registered on the surface. All that "other" that happens while I strive to paint and, then, I manage to paint worse. to paint worse. 1 + 2. Before, here, there, now? From all this, elements are born that will be repeated, varied, transformed, developed, again and again, and thus the author converts them, suddenly, into language; in that pictorial instant where everything happens and converges, gesture -who does- and eye -who decides- become, in a definitive way, the two fundamental tools of the artist. And then this painting begins to be, above all, an exciting game -at the same time primitive and sophisticated- between the body, thought and matter. Selection of collections: Ministry of Culture. Spain; Spanish Artistic Heritage. Spain; Ministry of Foreign Affairs. Spain; Zuckermann Museum. Atlanta, USA; Four Seasons Madrid - Centro Canalejas Madrid. Saddle Madrid. Madrid, Spain; Alicia Aza Collection; JLT Collection. Madrid, Spain; Rucandio Collection. Madrid, Spain.
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The information usually included in a certificate of authenticity is: name of the artist, details of the work (title, date, support, dimensions) and an image of the work.
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