According to Deleuze, following in the footsteps of NIETZCHE, the process of return involves a selection of differences, which must be reduced to "differentiables," that is, elements that differentiate and identify being. It is during this process of spiraling movement that thought, affirmation and truth are realized. It is in this process that art becomes present, presence and "difference". Art does not replicate itself. It processes its legacy so that it can continually become present.

That said, parts of an image that intervene successively, starting from the assumption of union and simplicity, are emphasized on the canvas without preparation, images of a rationality as a kind of pattern, interconnection from screen to screen.

Snippets of mathematical images abundant in a universe of our growth that remain as scars on the skin. These elements move between the visual and its urban / city recognition and the binomial life / art.

In the homogeneous lines of the canvases, elements are traced in the work that are supported by an apparently playful language for our vision, and for the gymnastics of intellectual order. These references of our marks are intrinsic in the soul of each module presented, which triggers an evaluation of the representation data. The configuration of cartoons or parietal gestures; and, on the other hand, the slippage of the image in terms of historical reference, limited in time, in the twentieth century, in patches of truth, innuendo and lie: the lie that gives us see the real and therefore make effectively visible.