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JESSICA STOCKHOLDER - Corona Virus Homework #12 (JS 801)
Artist Biography: Jessica Stockholder (Seattle, USA, 1959) is one of the most influential sculptors of her generation. His work spans around three decades and is characterized by a commitment to color and materials. The way of interpreting objects has become a hallmark of Stockholder's creation, as it participates in both the spheres of conceptualization and construction, through associations between the identifiable and the abstract. Stockholder's interest is focused on assembling objects of different nature and provenance. Her work is an interrogation of the heterogeneous through an additive process, of superimposition of materials, in which she brings together objects from the real world and objects created by her without causing chaos, due to her control of space and what it contains, with which she manages to create an order between what at first glance seems chaotic and disjointed.
Jessica Stockholder is one of the most influential sculptors of her generation. Her work spans over three decades and is characterized by a commitment to color and materials. characterized by a commitment to color and materials. The way objects are interpreted has become a hallmark of Stockholder's work, as she Stockholder's way of interpreting objects has become a hallmark of Stockholder's work, as it engages both the spheres of conceptualization and construction, through associations between the identifiable and the abstract. The Coronavirus Homeworks were made at the artist's home during the Coronavirus quarantine, when she was unable to access her studio, located on the campus of the University of Chicago. The 29 works that make up the series are produced from different types of paper, fabrics, paint types of paper, fabric, paint, markers, colored pencils, glue and a sewing machine. From their creation emanated the reflection on how we generate meaning and beauty depending on the way we live and work within the limits of our circumstances. Thus, she addressed the challenge presented by her precarious circumstances with interest and pleasure, and from the tranquility of her home she crafted these pieces while she saw and felt the weight of the tragedy of and felt the weight of tragedy unfolding around him.
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