View more works by this artist
Fabian Marcaccio - Conjectures for a new Paint Management (Rope Ground)
Technique: Drawing, ink on vellum paper
Artist Biography: Fabian Marcaccio (born 1963 in Rosario, Argentina) is an Argentine-Italian artist living and working in the United States. His transgender works, which include "Paintants" [1] and "Draftants" [2], have been exhibited worldwide.Marcaccio was born to an Argentine mother and Italian father in Rosario de Santa Fe [3], where he later attended the University of Philosophy. In 1985, at the age of 22, he moved to New York City, where he continues to live and work. He has exhibited widely in the United States, Europe and South America. In 2004, Kunstmuseum Liechtenstein organized a retrospective of his work, the same year a solo exhibition was mounted at the Miami Art Museum. He regularly exhibits in galleries in New York, Los Angeles, Berlin, Paris, Cologne and Barcelona. He has participated in numerous group exhibitions, including the 44th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington DC in 1995, Summer Projects at PS1 Center for Contemporary Art, New York in 2002, and Documenta 11, Kassel, Germany in 2002. His multidisciplinary collaborations include projects with architect Greg Lynn resulting in an exhibition at the Wexner Art Center, Columbus, Ohio in 2001 and projects with composer Claudio Baroni creating animated operas and a paintball performance with score at Weston Hall in Toronto, Ontario, Canada in 2005.Marcaccio's work investigates whether the traditional medium of painting can survive in the digital age. He has used transfer techniques from Print to make paintings and became known in the 1990s for his manipulations of painting conventions. More recently, he has relied on digital and industrial techniques to infuse his painting process with spatial and temporal concerns. The results are environmental paintings, animations and "Paintants" that combine digitally manipulated images, sculptural form and three-dimensional painted surfaces.
This work includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authentication value of the work of art. The certificate may be signed by the author of the work, by the representing gallery or by the printmaker who collaborated with the artist on the work.
The information usually included in a certificate of authenticity is: name of the artist, details of the work (title, date, support, dimensions) and an image of the work.
- Keep works of art away from direct sunlight and any other source of heat (heating, air conditioning, etc.). Avoid hanging works of art near smoky and polluted areas (such as fireplaces or kitchens). We advise you to protect the paintings with a glass frame.
- Avoid sudden changes in temperature. It is recommended to keep the paintings in areas with an ambient temperature of between 18-20º and 50% relative humidity.
- If the work is to be permanently illuminated, we recommend the use of cold light bulbs. Use a soft feather duster for periodic cleaning of the work. Never use household cleaner.
Works purchased by means other than the web page www.redcollectors.com have a period of 14 days to be returned through RedCollectors.The return will be made to the same payment method by which the purchase was made. If you have any questions or need help about shipping and our return policy, please contact our team: info@redcollectors.com
At RedCollectors we offer after-sales services for:
- Framing
- Insurance
- National and international transport management for any type of purchase.
For more information about after-sales services please contact our team: info@redcollectors.com