Pierre Descamps' latest solo exhibition at The Goma gallery presents a series of exhibition posters of different sizes, such as those that can be seen in public places or purchased in museum souvenir stores. These types of posters usually advertise current or future exhibitions of official art institutions. In Pierre Descamps' work, there is an inversion: the dates on display have all passed.Each of these posters presents a concentrate of an ephemeral sculptural work in situ that the artist has been operating illegally in public places since 2015. This panel of small, anonymous geometric forms that evoke minimalism as much as brutalist architecture or street furniture are discreetly placed in the midst of other urban constructions.