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Mauro Giaconi - Untitled
Technique: Silkscreen printing
Artist Biography: Mauro Giaconi Buenos Aires, 1977 Mauro Giaconi He has had solo exhibitions at BMocA (Boulder Museum of Contemporary Art), MAMBA (Museum of Modern Art of of Modern Art of Buenos Aires), Museo Universitario del Chopo, and has del Chopo, and participated in collective exhibitions at the Gregory Allicar Museum of Art, Centro Cultural Recoleta, and Museo del Palacio and Museo del Palacio de Bellas Artes in Mexico City. His works belong to collections such as: SPACE Collection, OMI International School of Art, Bemis Center for Contemporary Art in the Contemporary Art, in the USA, and Colección Jumex, in Mexico. In addition, he has been awarded several prizes, such as: Phillips Award for Young such as: Phillips Award for Young Talents, in the stages of Argentina and Latin America, Salon of Argentina and Latin America, Salón de Pintura UADE, National Drawing Salon, and ArteBA-Petrobrás in Argentina. Mauro Giaconi's work explores the possibilities of drawing as an expanded field. Through it, the artist expands on other disciplines, such as sculpture or installation, with the aim of installation, in order to investigate architecture, precariousness and the body as territories in conflict. in conflict. In this sense, the artist subverts both the paper support and the idea of drawing as a basic expression of the artistic practice, deriving basic expression of the artistic practice, deriving in the occupation of space, in the performative act with emphasis on the performative act with emphasis on the bodily experience and in the intervention of objects and universal references belonging to the universal references belonging to the contemporary metanarrative. In the conceptual field, her work usually presents contents and experiences that tension or annul opposing notions such as or annul opposite notions such as birth and death, construction and destruction, freedom and closure, as a gesture of and closure, as a gesture that invites to revisit and question the dichotomous significance of ideas. ideas. On the other hand, Mauro Giaconi works as a critical dynamizer of the systems of art production, having co-founded production systems, having co-founded in 2014 the projects: Obrera Centro, a self-managed self-managed space that promotes interdisciplinary artistic experimentation; and HerratecA, a popular library of tools. Both cases reveal the artist's interest in collaborative practices that generate new spaces and new collaborative practices that generate new spaces and transformative actions, under the premise that from the collective that from the collective and dialogue arise possibilities of progress and access to culture. culture.
This work includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authentication value of the work of art. The certificate may be signed by the author of the work, by the representing gallery or by the printmaker who collaborated with the artist on the work.
The information usually included in a certificate of authenticity is: name of the artist, details of the work (title, date, support, dimensions) and an image of the work.
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- Avoid sudden changes in temperature. It is recommended to keep the paintings in areas with an ambient temperature of between 18-20º and 50% relative humidity.
- If the work is to be permanently illuminated, we recommend the use of cold light bulbs. Use a soft feather duster for periodic cleaning of the work. Never use household cleaner.
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