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João Queiroz - Untitled
Technique: Oil on canvas
Artist Biography: João Queiroz' landscape paintings have the objective of avoiding a categorical approach that limits the perception of what is really there and to bring back the sense of estrangement that we have lost in relation to nature and, to some extent, also in relation to art itself as the result of passive contemplation. João Queiroz (Lisbon, 1957) lives and works in Lisbon. Exhibiting individually since 1986, a selection of his solo exhibitions includes: Passeio, Museu Municipal de Faro, Faro, Portugal (2020), Água e Luz, Colégio das Artes, Coimbra, Portugal (2018) João Queiroz. Pinturas, Travessa da Ermida, Lisbon (2018), Galeria Vera Cortês, Lisbon, Portugal (2017) Encáusticas, Appleton Square (Lisbon, 2015); Stanca Luce, Fundação Carmona e Costa (Lisbon, 2015); ahnungslos, Circulo de Artes Plásticas de Coimbra (2014); A noiva Dourada, Vera Cortês Art Agency (Lisbon, 2013); Afinal era uma borboleta (Pavilhão Branco, Museu da Cidade, Lisbon, 2012), A curva do rio (Uma certa falta de coerência, Porto, 2011), Silvæ (Culturgest, Lisbon, 2010), Galeria Quadrado Azul (Porto, 2009), Artworks sobre papel (Centro Cultural Vila Flor, Guimarães, 2009), Chiado 8 Arte Contemporânea (Lisbon, 2007), Centro de Arte Moderna (Fundação Calouste Gulbenkian, Lisbon, 2006), Artadentro (Faro, 2004), Le besoin du noble (minor mode, silvæ) (Lisbon 20 Arte Contemporânea, 2003), Liber Studiorum (Sala Jorge Vieira, Lisbon, 2001), Articulação e Pele (Porta 33, Funchal, 2000) and O ecrã no peito (Atelier-Museu Municipal António Duarte, Caldas da Rainha, 1999). Some of the collective exhibitions in which he participated include: Studiolo XXI - Desenho e afinidades, curated by Fátima Lambert, Fundação Eugénio de Almeida, Évora, Portugal (2019), 1/3 MeelPress, curated by João Silvério, Bermondsey Project Space, London, UK (2019), Pedro Costa: Company, Serralves Museum of Contemporary Art, Porto, Portugal (2018); Campo de visão, Torreão Nascente, Galerias Municipais, Lisbon, Portugal (2018) Dormir au soleil, Galerie Jocelyn Wolff, Paris, France (2018); 10.000 anos depois entre Vénus e Marte, curated by João Laia, Galeria Municipal do Porto, Portugal (2017); Uma Coleção: Um Museu | 2007-2017, MACE (Elvas, 2017), Blackbox: Imaginary Museum, curated by João Louro, Museu do Caramulo (Caramulo, 2017),Art as an Experience of the Real, CIAJG (Guimarães, 2017), The Middle Line, LIMAC (Madrid, 2017), Chiado 8, António Cachola Collection (Lisbon, 2017), Anozero: Bienal de Arte Contemporânea de Coimbra (2015); Um Horizonte de Proximidades: Uma topologia a partir da Coleção António Cachola, Arquipélago - Centro de Artes Contemporâneas (São Miguel, Azores, 2015); Tão alto quanto os olhos alcançam, Fórum Eugénio de Almeida (Évora, 2014); Nothing Comes From Nothing, Parkour (Lisbon, 2013); Sincronias (MEIAC, Badajoz, 2012), Flatland Redux (Palácio Vila Flor, Guimarães, 2012), Como proteger-se do tigre: (Bienal de Cerveira, 2011), A paisagem na colecção do Centro de arte moderna José de Azeredo Perdigão (Lisbon, 2011), Articulações (Allgarve, Faro, 2008), Avenida 211 (Lisbon, 2008), Portugal Agora (MUDAM, Luxemburg, 2007), Zoom 1986-2002: Colecção de Arte Contemporânea da Fundação Luso-Americana para o Desenvolvimento - Uma Selecção (Fundação de Serralves - Museu de Arte Contemporânea, Porto, 2002) and Um oceano inteiro para nadar (Culturgest, Lisbon, 2001). João Queiroz was the winner of the AICA Award in 2011 and EDP Drawing Award in 2000.
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- If the work is to be permanently illuminated, we recommend the use of cold light bulbs. Use a soft feather duster for periodic cleaning of the work. Never use household cleaner.
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