Inma Femenía

Inma Femenía - Liminal XXA

Technique: Translucent mineral pigmentation with UV protection varnish on maniouled aluminum and natural rubber.

Artist Biography: Graduated in Fine Arts at the Universitat Politècnica de València in 2008. Official Master's Degree in Artistic Production from the UPV, 2009-2010. During these years she was awarded with several prizes. In 2013 she moved to Berlin to continue her research and start exploring the relationship between art and industry, returning to Valencia two years later, in 2015. In 2017, she has been nominated for The Paulo Cunha e Silva Art Prize in Porto and winner of the 2017 Senyera Award for Visual Arts in Valencia. Her work has been exhibited internationally in England, France, Italy, Germany, Portugal, Colombia and Alabama, among others. Noteworthy exhibitions include: Free Fall at IVAM (Valencia, Spain 2017); Live Today. Tomorrow Will Cost More at Praz-Delavallade (Paris, France 2017); Tensión at Centro Párraga (Murcia, Spain 2016); One Size Fits All at The Ryder Projects (London, UK 2016); Rugged Terrain at Beta Pictoris Gallery (Birmingham, Alabama, US 2016); Bête Noire at Musart (Berlin, Germany 2016) and Offene Atieliers at Atelierhaus Dachauer (Munich, Germany 2015). In these last two years, Inma Femenía's work has been acquired by different institutions such as the DKV collection, the foundation Per Amor a l'Art (Bombas Gens) and the Generalitat. Valenciana.

 

Femenía's work is characterized by the relationship between matter and visual perception, evidencing its connection with the digital realm. She tightens the links between the virtual world and the real world, highlighting the interest in the imaginary that we build through the screens. His work has been exhibited internationally in England, France, Italy, Germany, Portugal, Colombia and Alabama, among others. Highlights include the exhibitions: Free Fall at IVAM (Valencia, Spain 2017); Live Today. Tomorrow Will Cost More at Praz-Delavallade (Paris, France 2017); Tension at Centro Párraga (Murcia, Spain 2016); One Size Fits All at The Ryder Projects (London, UK 2016); Rugged Terrain at Beta Pictoris Gallery (Birmingham, Alabama, US 2016); Bête Noire at Musart (Berlin, Germany 2016) and Offene Ateliers at Atelierhaus Dachauer (Munich, Germany 2015). Graduated in Fine Arts at the Universitat Politècnica de València in 2008. Official Master in Artistic Production at UPV, 2009- 2010. 2010. During these years she was awarded with several prizes. In 2013 she moved to Berlin to continue her research and start exploring the relationship between art and industry, returning to Valencia two years later, in 2015. In recent years she has been featured in different publications such as DARDO Magazine or WRPD Magazine. In 2017, she has been nominated for The Paulo Cunha e Silva Art Prize in Porto and winner of the 2017 Senyera Award for Visual Arts in Valencia. In these last two years, Inma Femenía's work has been acquired by different institutions such as the DKV collection, the Per Amor a l'Art foundation, Bombas Gens and the Generalitat Valenciana. In Tension delves into the dissolution of the barriers of perceptual reality, in the limits between technology and the interpretation of light phenomena. The series deals with the hybridization of the physical and virtual worlds through the dialogue of its materials, where it is difficult to distinguish between the characteristics of the materials themselves and those that refer to digital manipulations. Rubber and metal contrast their physical attributes in a common mechanical work that defines the tension generated in each work. In Tension shows how the technological field manifests itself beyond the screens of the beyond the screens of electronic devices, enveloping the physical objects and blurring the spectra that divide the work from its digital representation.