Inmaculada Salinas

Inmaculada Salinas

Oferta de trabajo, 2020
Drawing
59,4 x 42 cm
2.420 €
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Description
Inmaculada Salinas - Job offer

Technique: Colored pencil and ink on paper

Artist Biography: Inmaculada Salinas is a Spanish artist born in Seville in 1978, whose work focuses primarily on photography. Her style is characterized by the exploration of the relationship between the photographic image and reality, as well as the use of light and color to create evocative and poetic images.Salinas has received several awards and recognitions throughout her career, including the Purificación García Photography Award in 2006, the Andalucía Joven de Artes Plásticas Award in 2007 and the Vila Casas Foundation Photography Award in 2018.In her work, Salinas uses photography as a tool to explore themes such as memory, identity and perception. In her images, she often plays with the relationship between image and reality, creating images that seem to question the veracity of what we see.She is a leading artist in the Spanish contemporary art scene, whose work focuses on exploring the relationship between the photographic image and reality, as well as by the use of light and color to create evocative and poetic images. His work has been recognized with numerous awards and has been exhibited in galleries and museums around the world.

 

For her part, INMACULADA SALINAS (Guadalcanal, Seville, 1967), raises as a background of her proposal for ARCO the reflections around Monika Buch and Felix Gonzalez-Torres, to whom the event is dedicated in this edition, both artistic and conceptual references for the artist. On this occasion, her works are elaborated under the connections that she has established with them during that time of work that means so much to her. Thus, dialoguing with the geometric, which is associated with concepts such as composition, balance or symmetry, Salinas' work introduces us once again in the world of the relational, the poetic and visual without complexes, in the possibility of linking that all work entails in itself. Not everything is what it seems. Under the firmness of his structural proposal, the clash, the confrontation, the ambiguity and the confrontation, ambiguity and with it the relationship, the relationships. In the face of measure, rhythm; in the face of the angular, the evanescent; in the face of precision, subtlety; in the face of the norm, simplicity. Fragile links that are strengthened by the reiteration that leaves furrows, that confronts the artist with her work, with the work of art, which, although paradoxical, is more real than the fictitious of the object. In her constancy, the artist continually hits us with her return to reality, to the artist's reality. The struggles that her sentences return to us are not dispensable. This is my work, she affirms with it, and for that reason, she delimits it, serializes it, reiterates it so that, definitively, it is not forgotten. So that we are aware that creative work is just another job and that for many, life and work are only the means and the tool to feel, to alert us that other worlds are possible.
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