Lin Mo

Lin Mo - Xinyi

Artist Biography: Lin Mo is a Chinese artist born in Harbin in 1962, known for his work in painting and sculpture. Her work focuses on exploring the relationship between nature and culture, and creating works that combine traditional Chinese elements with contemporary techniques and materials. Lin Mo studied at the Beijing Central Academy of Fine Arts, graduating in 1985. Since then, he has exhibited his work in numerous solo and group exhibitions in China and abroad. In his work, Lin Mo uses a wide variety of techniques and materials, from painting and bronze sculpture to installation and performance. His works often include natural elements, such as wood, stone, and water, as well as traditional Chinese cultural elements, such as Chinese characters and decorative motifs. Lin Mo has received several awards and recognitions for his work, including the Shenzhen Art Biennale Special Prize in 2006 and the China Contemporary Art Prize in 2008. In addition, he has been selected to participate in major contemporary art exhibitions around the world, such as the Venice Biennale and the Shanghai Biennale.

 

A projection of metaphors floats on the surface of the works of Lin Mo ??(Harbin, China, 1962). Placed in the framework of the YI school, germ of contemporary Chinese abstraction, Lin Mo ??'s artistic path has been marked by his peregrinations through different countries where he has been consolidating his prestige from a meditated and committed work. The Chinese poet Meng Ming ?? defines the artist's work as Decarnation ?? a poetic term that alludes to Buddhist reincarnation, understanding Lin Mo ??'s paintings as a cycle of moments that are relived and in which the essence of life underlies in a phenomenological world, in the sense in which Hegel postulated the search for spiritual truth. Colorful and passionate, the work of Lin Mo ??deprende a chromatic range arising from a creative ecstasy full of bright touches that emulate textures, calligraphy, signs of identity that are inherent to it. The technique, large random brushstrokes, does not follow artistic parameters, it is governed by what he calls ";pure painting", creating spots that generate rhythms, relationships, moments. An abstract romanticism, in which bright and light colors are combined with oriental ink to show what is hidden to the senses, what the ancients called the esoteric. // Metaphors projection is in the works of Lin Mo (Harbin, China, 1962). Contextualized in the frame of YI School, germ of abstract expressionism school. The Chinese poet Meng Ming??defines the work of Lin Mo?? as Decarnation ??, poetic term that alludes to the Buddha reincarnation, which allow us to understand the paintings of Lin Mo??as a series of moments that explain the essence of life in phenomenological world, in which Hegel looked into to spiritual truth. The work of Lin Mo ?? is colorful and passionate, with wide chromatic palette, emerged from the creative ecstasies, which is full of brilliant ways that it seems textures. The big and random capes of painting is not due to any artistic parameter, instead of this, the artist promotes, what he calls ";pure painting", creating stains that generate rhythms, relations and moments. Abstract Romanticism full of brilliant colors that are combined with oriental ink to show what is invisible to the senses, what ancient called, the esoteric.