This year and a half of pandemic seems to have consolidated a cultural perspective of the future that Marina Garcés already called "posthumous condition". Perhaps in the concerns intrinsic to the ecological and social challenges posed by the future, and from a context of cultural precariousness after two years of cancellations and complications, is where drawing can be shown as a precision tool to reflect on the collapse of a society hungry for other kinds of stories.
Continuing his Hauntopolis project, Santiago Talavera presents in El pasado habrá sido un planeta extraño a series of drawings on different materials, which form an imaginary topography in continuous growth.