The optimal form


The optimal form is articulated through a series of processual choices. These revolve around ideas about human gesture, the relationships between bodies and objects and the way in which these are established. Each is enveloped and enveloping, objects and subjects withdraw. The folding and entanglement is, in fact, learned and taught. The world is revealed through the body and our existence and experience appear on this seemingly immovable border of dialogue between the self and the other. Time and effort are presented as the conceptual axis, the new tools have been reducing these two elements through their intricate and complex anatomies.