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Inma Femenía - Version 25
Technique: UV printing on PCV, aluminum frame
Artist Biography: Graduated in Fine Arts at the Universitat Politècnica de València in 2008. Official Master's Degree in Artistic Production from the UPV, 2009-2010. During these years she was awarded with several prizes. In 2013 she moved to Berlin to continue her research and start exploring the relationship between art and industry, returning to Valencia two years later, in 2015. In 2017, she has been nominated for The Paulo Cunha e Silva Art Prize in Porto and winner of the 2017 Senyera Award for Visual Arts in Valencia. Her work has been exhibited internationally in England, France, Italy, Germany, Portugal, Colombia and Alabama, among others. Noteworthy exhibitions include: Free Fall at IVAM (Valencia, Spain 2017); Live Today. Tomorrow Will Cost More at Praz-Delavallade (Paris, France 2017); Tensión at Centro Párraga (Murcia, Spain 2016); One Size Fits All at The Ryder Projects (London, UK 2016); Rugged Terrain at Beta Pictoris Gallery (Birmingham, Alabama, US 2016); Bête Noire at Musart (Berlin, Germany 2016) and Offene Atieliers at Atelierhaus Dachauer (Munich, Germany 2015). In these last two years, Inma Femenía's work has been acquired by different institutions such as the DKV collection, the foundation Per Amor a l'Art (Bombas Gens) and the Generalitat. Valenciana.Femenía's work is characterized by the relationship between matter and visual perception, evidencing its connection with the digital realm. She tightens the links between the virtual world and the real world, highlighting the interest in the imaginary that we build through the screens. His work has been exhibited internationally in England, France, Italy, Germany, Portugal, Colombia and Alabama, among others. Highlights include the exhibitions: Free Fall at IVAM (Valencia, Spain 2017); Live Today. Tomorrow Will Cost More at Praz-Delavallade (Paris, France 2017); Tension at Centro Párraga (Murcia, Spain 2016); One Size Fits All at The Ryder Projects (London, UK 2016); Rugged Terrain at Beta Pictoris Gallery (Birmingham, Alabama, US 2016); Bête Noire at Musart (Berlin, Germany 2016) and Offene Ateliers at Atelierhaus Dachauer (Munich, Germany 2015). Graduated in Fine Arts at the Universitat Politècnica de València in 2008. Official Master in Artistic Production at UPV, 2009- 2010. During these years she was awarded with several prizes. In 2013 she moved to Berlin to continue her research and start exploring the relationship between art and industry, returning to Valencia two years later, in 2015. In recent years she has been featured in different publications such as DARDO Magazine or WRPD Magazine. In 2017, she has been nominated for The Paulo Cunha e Silva Art Prize in Porto and winner of the 2017 Senyera Award for Visual Arts in Valencia. In these last two years, Inma Femenía's work has been acquired by different institutions such as the DKV collection, the Per Amor a l'Art foundation, Bombas Gens and the Generalitat Valenciana. The Versions series is based on a compilation of images from the digital sphere made during the last year by the artist, in order to deepen their communicative capacity and their alterability through the various processes of editing, uploading or formatting to which they are subjected. These images, stripped of their material condition and their original appearance, are degraded to adapt to a medium where the speed of transfer conditions their morphology. The Versions series metaphorizes these processes through the direct manipulation of images printed on flexible surfaces, fixing different transformations in each piece of the set.
This work includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authentication value of the work of art. The certificate may be signed by the author of the work, by the representing gallery or by the printmaker who collaborated with the artist on the work.
The information usually included in a certificate of authenticity is: name of the artist, details of the work (title, date, support, dimensions) and an image of the work.
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- If the work is to be permanently illuminated, we recommend the use of cold light bulbs. Use a soft feather duster for periodic cleaning of the work. Never use household cleaner.
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