'Então aquilo que'


(...) Through the arrangement of the sculptures in the room and the repetitions of the sound that accompanies them, this exhibition first evokes an image with which we are familiar, an image that is familiar to us, that we can recognise almost immediately, but which we soon realise that, staged by the artist, this familiar image can take us much further, through the sense of surprise that it triggers, through a moment of waiting. We then become aware of this familiar feeling of confusion in the absence of words - a substance of an ethereal nature, perhaps, which acquires importance through the sculpture - and the breaking of that disconcerting silence, amidst melodious instrumental whistles, which envelops and startles us. (...)

Filipa Correia de Sousa