'no fim de tudo está o começo, a negociação!'


Carlos Noronha Feio's artistic practice spans a variety of media and supports: painting, video sculpture, installation, tapestry and drawing, based on philosophical enquiry into themes such as identity, nationalism, local and global culture, devices and the construction of meaning. His work develops distinctively in a rhizomatic structure, in which different series of research and work seek to defend and establish a larger picture rather than immediate coherence or chronological brevity. Noronha Feio's series seek to be expansive, creating points of connection between them and juxtapositions. These paintings expand off the canvas through sculptural elements (glass, neon lights and metal sculptures) that move them from the two-dimensional plane into a three-dimensional space.