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Ana H. del Amo - S/T
Technique: Brass and leather
Artist Biography: The research of Ana H. del Amo (Cáceres, 1977) through the form focuses on expressing herself through color, line and materials, resulting in pieces of abstract character of various formalizations; between intuitive geometry and gestural, worked through relationships and dialogues with materials. The work process is not at all orthodox, for this reason the method used varies depending on the characteristics of each material and the context. It is through play and dialogue, as the works are resolved, sometimes using the gestures of the incorporation of color and other times respecting the characteristics or scars of the materials and objects. Each piece created offers us one possibility out of a thousand, and it is here where the creator puts all her end. Resolved in a subtle way, where the game of possibilities is present in the processes. Luminous colors, even fluorescent, forms that refuse to be enclosed and even less classified. Forms of refined appearance, where we can appreciate details or errors of the pulse of the action of creating.Ana H. del Amo has a degree in Fine Arts from the University of Barcelona. She has exhibited, individually and collectively, in spaces such as the Can Felipa Cultural Center, Barcelona; Casa de Velázquez, Madrid; MAC Unión Fenosa, A Coruña; Centre del Carme, Valencia; Luis Adelantado Gallery, Valencia; Sala Josep Renau, University of Valencia; Rosa Santos Gallery, Valencia; Museum of Cáceres; Parliament of Extremadura, Mérida; Pérez Comendador-Leroux Museum, Hervás, Cáceres; Rafael Pérez Hernando Gallery, Madrid; Set Espai d'Art, Valencia, Fran Reus Gallery, Palma de Mallorca; Juan Silió, Madrid and in La Lance, Switzerland and in Cáceres Abierto among others. She received a scholarship from the Academy of Spain in Rome in 2005, in 2006, 2008 and 2018 she was awarded the Francisco de Zurbarán Plastic Artists Aid by the Junta de Extremadura. She has been DKV Acquisition Award, Nocapaper Collection Award and Casa de Velázquez Award in Estampa in 2016. And in 2019 she will receive a grant from the Pollock-Krasner Foundation of New York and in 2020 she will receive a grant from Vegap.
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The information usually included in a certificate of authenticity is: name of the artist, details of the work (title, date, support, dimensions) and an image of the work.
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- Avoid sudden changes in temperature. It is recommended to keep the paintings in areas with an ambient temperature of between 18-20º and 50% relative humidity.
- If the work is to be permanently illuminated, we recommend the use of cold light bulbs. Use a soft feather duster for periodic cleaning of the work. Never use household cleaner.
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