David Delgado Ruiz

David Delgado Ruiz

[ #UnReality ] The Storm., 2017
Photography
70 x 100 cm
Editions: 10
1.721 €
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Description
David Delgado Ruiz - [ #UnReality ] The Storm.

Technique: Analog and Digital Photography Technique. Yashica, Canon, Ilford XP-2, Wacom, Adobe Photoshop. Hahnemühle Photo Rag® Ultra Smooth 305 gsm paper - 100% Cotton (printed with white edge).

Artist Biography: David Delgado Ruiz Madrid, 1975. Desde niño me recuerdo pensando en la percepción del tiempo. Siempre me produjo una curiosidad inquietante observar el movimiento que transcurre en esos lapsos que pueden resultar eternos o que, por el contrario, pasan como una exhalación. Fue esta reflexión, la que me hizo encontrar en la fotografía, el medio para crear a través de la imagen, el relato del momento vivido. Documento la realidad contemporánea, contando historias sobre cómo el tiempo y el espacio generan un contexto en las relaciones sociales entre seres humanos y el entorno hostil que les rodea, la ciudad entendida como presente, pasado y futuro. La línea que trabajo como «Realidad Intervenida», es donde desarrollo las simetrías geométricas entre los diferentes espacios que habito e investigo desde el vacío y la quietud, creando con ello una nueva realidad de ficción. Desde la documentación fotográfica del paisaje, exploro mediante la integración de dos o más imágenes los límites de la imaginación, utilizando medios de edición digital sobre fotografía analógica. Propongo una reflexión sobre paisajes imaginarios, pero siempre posibles, coincidentes, escenarios abiertos distópicos de futuros tangibles y probables para el ser humano en su afán por comprender la realidad y el tiempo por el que transitamos. Busco imágenes que puedan ser percibidas como “reales”, desde el conocimiento de su falsedad, una crítica a los tiempos de las fake news, la postfotografía y la realidad aumentada, que va a modificar la forma en la que percibimos la realidad, el tiempo y el espacio. Represented by: Member of: (PRNewsFoto/Getty Images New York) FORMACIÓN MAGNUM LEARNING. - Gregory Halpern: Documentary Sur/Realism. - Matt Black: The Documentary Commitment - Alec Soth: Photographic Storytelling. - The Art of Street Photography with Magnum photographers Bruce Gilden, Martin Parr, Susan Meiselas, Richard Kalvar, Carolyn Drake, Peter van Agtmael and Mark Power. Advanced Photo Courses at Efti. Taller Juan Manuel Castro Prieto. EXHIBITIONS / Exposiciones & Ferias de Arte Contemporáneo. 2022 Art Madrid, Madrid. 02/2022. DDR Art Gallery. un(fair) Milan. 04/2022. DDR Art Gallery. Photo London, 05/2022. 2021 Just Mad International Art Fair, Madrid. Geomag Cube Art. FIG Bilbao, Feria Internacional de Arte Contemporáneo. DDR Art Gallery. 2020 Mulafest, Madrid FIG Bilbao, DDR Art Gallery. Art Madrid. DDR Art Gallery. 2019 FIG Bilbao. Feria de Arte sobre papel. Noviembre 2019. Exposición IV Huete Photowalk, Exposicion de obras premiadas. MAC Florencio de la Fuente adquiere dos obras para su colección de fotografía. Septiembre 2019. JustLx, Feria Internacional de Arte Contemporáneo. Lisboa, mayo 2019. II CERTAMEN INTERNACIONAL DE FOTOGRAFÍA BLIPOINT, MULAFEST Espacio Utopia. Blipoint Festival. 25, 26 y 27 de octubre 2019. Barcelona. 2018 MARTE, Feria Internacional de Arte Contemporáneo. Febrero 2018, Museo Efímero, FRANQUEADOS´18, Madrid. 2017 PhotoEspaña XX Aniversario Galería BAT Alberto Cornejo Junio 2017 ABIERTO by Theredoom, C/Doctor Fourquet 3 Madrid. Oct. 2017 White / OPEN NOT CLOSED, A B I E R T O by Theredoom, C/Doctor Fourquet 3 Madrid. 2016 17 NOV. – 20 NOV. FERIA MARTE; Castellón, DDR Art Gallery. OCT. 27 – OCT. 30 Affordable Art Fair, Amsterdam by Alicia Rey Gallery JUN. 24-26 MULAFEST Premio de Arte BURN FEB. 18-28 2016 FRANQUEADOS 0.16 Premio “Intervención Transgresora” FEB. 25-28 2016 XV Feria DEARTE Palacio de Neptuno, Madrid. Semana del Arte Contemporáneo. 2015 MONDO GALERíA HOME CASA HOME 2 (DEC. 17 2015 – FEB 15 2016 Alicia Rey Gallery, Affordable Art Fair Milano’15 19-22 March 2015 MARZO 19 Cervantes6 Galería de Arte, Oviedo FEB. 20 HOSTELART, THE HAT by Plataforma de Arte Contemporáneo. JaalPhoto, VEOARTE LaColect, VEOARTE 2014 Fundación Telefónica Instagramers Gallery 2013 Parking Gallery, Alicante, * 2011 Galería O+O, Valencia, * 2010 Circuito De Arte: Galería Juan Martin/G. Maresa Arévalo /Henaine Fine Art México 2003 Montserrat Gallery New York City, EEUU. Galería Topaz Barcelona 1999 Galería Pro Art Madrid Obra en Colecciones de Arte Contemporáneo y Museos. Fundación Telefónica. Instituto Cervantes, Lisboa. MAC Museo de Fotografía Florencio de la Fuente. Colección BURN. Colecciones Privadas en Italia, UK, EEUU, México y Canadá, entre otros. FOTOGRAFÍA e ILUSTRACIÓN en PRENSA Fotógrafo Documental en Plataforma de Arte Contemporáneo. #PAConTour * Art Curator B-Side Magazine * Fotógrafo Revista INPUT Art Blogger & Content Manager Blog DDR Art Gallery Art Blogger DDR Photo Art Gallery Bonart * Press Photographer Blogger El Faro de Vigo El Faro de Vigo (Press)Madrid, 1975Statement.Desde niño me recuerdo pensando en la percepción del tiempo.Siempre me produjo una curiosidad inquietante observar el movimientoque transcurre en esos lapsos que pueden resultar eternos o que, por elcontrario, pasan como una exhalación.Fue esta reflexión, la que me hizo encontrar en la fotografía, el medio paracrear a través de la imagen, el relato del momento vivido.Documento la realidad contemporánea, contando historias sobre cómo eltiempo y el espacio generan un contexto en las relaciones sociales entreseres humanos y el entorno hostil que les rodea, la ciudad entendidacomo presente, pasado y futuro.La línea que trabajo como «Realidad Intervenida», es donde desarrollo lassimetrías geométricas entre los diferentes espacios que habito e investigodesde el vacío y la quietud, creando con ello una nueva realidad deficción.Desde la documentación fotográfica del paisaje, exploro mediante laintegración de dos o más imágenes los límites de la imaginación,utilizando medios de edición digital sobre fotografía analógica.Propongo una reflexión sobre paisajes imaginarios, pero siempreposibles, coincidentes, escenarios abiertos distópicos de futurostangibles y probables para el ser humano en su afán por comprender larealidad y el tiempo por el que transitamos.Busco imágenes que puedan ser percibidas como “reales”, desde elconocimiento de su falsedad, una crítica a los tiempos de las fake news,la postfotografía y la realidad aumentada, que va a modificar la forma enla que percibimos la realidad, el tiempo y el espacio.Represented by:Member of:(PRNewsFoto/Getty Images New York)FORMACIÓNMAGNUM LEARNING.- Gregory Halpern: Documentary Sur/Realism.- Matt Black: The Documentary Commitment- Alec Soth: Photographic Storytelling.- The Art of Street Photography with Magnum photographersBruce Gilden, Martin Parr, Susan Meiselas, Richard Kalvar,Carolyn Drake, Peter van Agtmael and Mark Power.Advanced Photo Courses at Efti.Taller Juan Manuel Castro Prieto.EXHIBITIONS / Exposiciones & Ferias de Arte Contemporáneo.2022Art Madrid, Madrid. 02/2022. DDR Art Gallery.un(fair) Milan. 04/2022. DDR Art Gallery.Photo London, 05/2022.2021Just Mad International Art Fair, Madrid. Geomag Cube Art.FIG Bilbao, Feria Internacional de Arte Contemporáneo. DDR ArtGallery.2020Mulafest, MadridFIG Bilbao, DDR Art Gallery.Art Madrid. DDR Art Gallery.2019FIG Bilbao. Feria de Arte sobre papel. Noviembre 2019.Exposición IV Huete Photowalk, Exposicion de obras premiadas. MACFlorencio de la Fuente adquiere dos obras para su colección defotografía. Septiembre 2019.JustLx, Feria Internacional de Arte Contemporáneo. Lisboa, mayo2019.II CERTAMEN INTERNACIONAL DE FOTOGRAFÍABLIPOINT, MULAFESTEspacio Utopia. Blipoint Festival. 25, 26 y 27 de octubre 2019.Barcelona.2018MARTE, Feria Internacional de Arte Contemporáneo.Febrero 2018, Museo Efímero, FRANQUEADOS´18, Madrid.2017PhotoEspaña XX Aniversario Galería BAT Alberto CornejoJunio 2017 ABIERTO by Theredoom, C/Doctor Fourquet 3 Madrid.Oct. 2017 White / OPEN NOT CLOSED, A B I E R T O by Theredoom,C/Doctor Fourquet 3 Madrid.201617 NOV. – 20 NOV. FERIA MARTE; Castellón, DDR Art Gallery.OCT. 27 – OCT. 30 Affordable Art Fair, Amsterdam by AliciaRey GalleryJUN. 24-26 MULAFEST Premio de Arte BURNFEB. 18-28 2016 FRANQUEADOS 0.16 Premio “IntervenciónTransgresora”FEB. 25-28 2016 XV Feria DEARTE Palacio de Neptuno, Madrid.Semana del Arte Contemporáneo.2015MONDO GALERíA HOME CASA HOME 2 (DEC. 17 2015 – FEB 152016Alicia Rey Gallery, Affordable Art Fair Milano’15 19-22 March 2015MARZO 19 Cervantes6 Galería de Arte, OviedoFEB. 20 HOSTELART, THE HAT by Plataforma de ArteContemporáneo.JaalPhoto, VEOARTELaColect, VEOARTE2014Fundación Telefónica Instagramers Gallery2013Parking Gallery, Alicante, *2011Galería O+O, Valencia, *2010Circuito De Arte: Galería Juan Martin/G. Maresa Arévalo/Henaine Fine Art México2003Montserrat Gallery New York City, EEUU.Galería Topaz Barcelona1999Galería Pro Art MadridObra en Colecciones de Arte Contemporáneo y Museos.Fundación Telefónica.Instituto Cervantes, Lisboa.MAC Museo de Fotografía Florencio de la Fuente.Colección BURN.Colecciones Privadas en Italia, UK, EEUU, México y Canadá, entreotros.FOTOGRAFÍA e ILUSTRACIÓN en PRENSAFotógrafo Documental en Plataforma de ArteContemporáneo. #PAConTour *Art Curator B-Side Magazine *Fotógrafo Revista INPUTArt Blogger & Content Manager Blog DDR Art GalleryArt Blogger DDR Photo Art GalleryBonart * Press PhotographerBlogger El Faro de Vigo El Faro de Vigo (Press) *

 

It has been exhibited, among others, in PhotoEspaña 2017, Galería BAT 2017, Feria Marte 2018, Just Lisboa 2019, FIG 2019.https://ddrartgallery.com/collections/david-delgado-ruizRepresenta to republican war refugees locked in the rooms of the Alcazar, former Royal Palace of Madrid.The author collaborates with Mecenas 2.0 and Getty Images nyc.Serialized photography printed on museum quality paper, limited to 10 units in measures 50x70 cm. When I was ten years old I thought what would become of me when I was 20, then 30 and now 40. From that innocent question as a child, I began to look at time, observe it, trying to discover why sometimes it is so long and others, however, last an instant, if in fact both measure the same. I document contemporary reality, telling stories about how time and space generate a context in the social relations between human beings and the hostile environment that surrounds them, the city understood as present, past and future. Intervened Reality is the line where I develop the geometric symmetries between the different spaces I inhabit and investigate from emptiness and stillness.

 

It has been exhibited, among others, at PhotoEspaña 2017, Galería BAT 2017, Feria Marte 2018, Just Lisboa 2019, FIG 2019. https://ddrartgallery.com/collections/david-delgado-ruiz The author collaborates with Mecenas 2.0 and Getty Images nyc. Serialized photography printed on museum quality paper, limited to 10 units in 50x70 cm. and 5 units in 100x70 size, which can be purchased exclusively (single copy 100 x 70). CATALOGUE TEXT PHOTOESPAÑA'17. There was a time when photography was fully immersed in the paradigm of the decisive instant, that supposed ability to segment time and stabilize the fullness of the pure event. The play of multiple perspectives, so characteristic of the aesthetics of the historical avant-garde, opened up the possibility of incorporating formal, spatial and iconographic disruption into representation. Collage and photomontage, with their ability to bring elements from different fields into the same context to create a unity that was no longer purist but essentially precarious, broke old taxonomies in art and opened up paths of research that are still being constantly pursued today. David Delgado Ruiz has developed a discourse that is organized around some of the conflictive zones of photographic representation. To do so, he establishes fissures, creates interferences, questions the generalized acceptance of the image as a promise of contact with reality and culminates in a reflection on the imagination and its rhetorical possibilities. Specifically, his series #UnReality is born from the juxtaposition of apparently unconnected images that are assembled by a common denominator: time, space or speed. These three parameters are assumed by the artist to unmask, according to his own words, "the relativity of convictions, the absurdity of fanaticism, as is the tedious observation of the "The relativity of convictions, the absurdity of fanaticism, as is the tedious observation of the "reality of the world". His compositions seek to disarticulate the unfounded models of any visuality that pretends to be monolithic and open up to the understanding of a hyperconnected world, but also decentralized and diffuse. Thus, in the same composition coexist elements separated by thousands of kilometers or events that occurred in very different time frames. The resource of the image within the image serves to semantically reactivate the content of what we see and open it to plural perspectives. In this sense, David Delgado Ruiz does not construct artifacts capable of being resolved at a first glance, since each image contains events whose existence is maintained in an unstable territory: that of their impossibility in a canonical time and space. The artist achieves, in short, the possibility of estrangement in the midst of so much obviousness and, above all, that the image does not become a platform for answers but a field for doubt. Text: Carlos Delgado Mayordomo. Curator and Art Critic. Text for the PhotoEspaña '17 catalog.
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