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Pedro Calapez - Short #40
Technique: Acrylic on aluminum
Artist Biography: An artist of great international renown, he participated in the Biennials of Venice (1986) and São Paulo (1987 and 1991). He has exhibited his work individually in several galleries and museums, namely: Histórias de Objectos, Casa de la Cittá, Rome; Carré des Arts, Paris and Fundação Gulbenkian, Lisbon (1991); Petit jardin et paysage , Capela Salpêtriére, Paris (1993); Memória Involuntária , Museu do Chiado, Lisbon (1996); Campo das Sombras , Fundación Pilar i Joan Miró, Mallorca (1997); Studiolo , INTERVAL-Raum fur Kunst und Kultur, Witten, Germany (1998); Madre Agua, MEIAC - Museo de Arte Contemporáneo, Badajoz and CAAC - Centro de Arte Contemporáneo de Andalucía (2002); Artworks selected 1992-2004, Fundação Gulbenkian, Lisbon (2004); Piso cero, CGAC - Centro de Arte Contemporáneo de Galicia, Santiago de Compostela (2005); Lugares de pintura, CAB - Centro de Arte Caja Burgos, Burgos (2005).His awards include the União Latina (1990), EDP Pintura (2001), Nacional de Arte Gráfico (Madrid, 2005) and AICA (2005).
This work includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authentication value of the work of art. The certificate may be signed by the author of the work, by the representing gallery or by the printmaker who collaborated with the artist on the work.
The information usually included in a certificate of authenticity is: name of the artist, details of the work (title, date, support, dimensions) and an image of the work.
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- Avoid sudden changes in temperature. It is recommended to keep the paintings in areas with an ambient temperature of between 18-20º and 50% relative humidity.
- If the work is to be permanently illuminated, we recommend the use of cold light bulbs. Use a soft feather duster for periodic cleaning of the work. Never use household cleaner.
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