Onka Allmayer-Beck

Onka Allmayer-Beck

218, 2022
Sculpture
27 x 27 x 7 cm
1.452 €
2 personas están viendo esta obra

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Description
Onka Allmayer-Beck - 218

Technique: Ceramic

Artist Biography: Born in Vienna in 1979, Onka Allmayer-Beck studied fashion design at the renowned Central St. Martins Academy of Art (London) from 2001 to 2004. Academy of Art (London) between 2001 and 2004. After working for prestigious design brands in Milan, such as Carol Christian Poell such as Carol Christian Poell, Strenesse or Giorgio Armani, she started a parallel path as an illustrator, which led her to participate as an artist in her first participating as an artist in her first art exhibitions. It is in 2016 that Allmayer-Beck returns to Vienna and ventures into a change of language from two-dimensional to the three-dimensional with her first experiences as a ceramist. However, it was an exchange program to Abramtsevo in the north of Moscow that gave him the decisive impetus to consolidate the particular technique of modeling and assemblage to which he and assemblage technique to which she has remained faithful to this day. Onka Allmayer-Beck's works have been exhibited internationally in various gallery spaces and institutions such as the Galerie Raum mit institutions such as the Galerie Raum mit Licht, the Museum of Applied Arts and the Galerie Inoperable in Vienna (Austria), the M.A.X Museum in Chiasso (Switzerland), the Austrian Forum in Moscow (Russia), the Triennale in Milan (Italy), the HDLU in Zagreb (Croatia) and Zagreb (Croatia) or the Krasnoyarsk Biennial in Siberia. He has recently participated as artist in residence at the Schloss Hollenegg for Design (Austria) and as a guest artist at the Design Week in Vienna and at the Superhouse Vitrine in New York. Vitrine in New York. Currently, Ana Mas Projects is dedicating to her a solo exhibition entitled 'Vessels', which brings together a selection of ceramics recently produced by the Austrian artist. Objects that reveal without concealment the conditions of her creation, in which technical perfection is relegated to the experimental aspect of the material. to the experimental aspect of the material.

 

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